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	<title>saraskorganteigen</title>
	<link>https://saraskorganteigen.com</link>
	<description>saraskorganteigen</description>
	<pubDate>Sun, 04 May 2025 07:29:54 +0000</pubDate>
	<generator>https://saraskorganteigen.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Main</title>
				
		<link>https://saraskorganteigen.com/Main</link>

		<pubDate>Fri, 14 Jun 2019 07:47:38 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

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		<description>
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NEWS

info

why</description>
		
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	<item>
		<title>Footer</title>
				
		<link>https://saraskorganteigen.com/Footer</link>

		<pubDate>Wed, 29 May 2019 11:00:56 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

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		<description>Cargo Collective 2017 — Frogtown, Los Angeles</description>
		
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	<item>
		<title>Commissioned Public Work</title>
				
		<link>https://saraskorganteigen.com/Commissioned-Public-Work</link>

		<pubDate>Tue, 08 Apr 2025 07:14:26 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

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		<description>Bevegelser i Røyken, (Movements in Røyken)Commissioned public work
For Røyken sportshall in Asker Norway. Commissioned by Asker Artcollection, Norway.

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	<item>
		<title>The Trying and Failing</title>
				
		<link>https://saraskorganteigen.com/The-Trying-and-Failing</link>

		<pubDate>Sun, 04 May 2025 07:29:54 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

		<guid isPermaLink="true">https://saraskorganteigen.com/The-Trying-and-Failing</guid>

		<description>The Trying and Failing

From The Fool´s Journey, Act 2: &#38;nbsp;The Journey through the Underworld.&#38;nbsp;


</description>
		
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	<item>
		<title>Birth</title>
				
		<link>https://saraskorganteigen.com/Birth</link>

		<pubDate>Sun, 12 Mar 2023 22:05:52 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

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		<description>Birth
Commision work from Concertgebouw Brugge (NL)&#38;nbsp;
In process through Sept 2023
We are mortal. But we are also birth-like.



Commision work: Seasonal artist for Concertgebouw
Brugge (NL)


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Pencil, pen, ultra sound images on handmade sketchbook.
Is there a possible involution within us, as there is a lawful evolution in nature?

Every moment is a new moment.
About the comission
Concertgebouw Brugge, (NL) is a concerthall showing classical and contemporary music and dance, exhibitions, and projects between the arts, often in the form of festivals.
 They follow a thematic cycle of&#38;nbsp; “seasons”, which lasts for one year. Birth, Life, Death, Metamorphoses and Cosmos. For every season an artist, one thinker and one composer is invited to reflect on the topic of the season in their mediums. I am so proud to be this seasons artist.
Impregnated with a topic
When I received the topic “birth” to work on, I was given a set of ultrasound images to work with. From the pregnant women in Concertgebouw Bruge I immediately knew the sektchbook was the best medium for me to work with.&#38;nbsp; It i salways with me and close to my body. And I felt the topic was like a seed planted within me from outside, which would slowly grow and evolve in my sketchbook, as a fetus does inside the womb before the moment of birth on earth.&#38;nbsp;
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	<item>
		<title>Sleeping State of Being </title>
				
		<link>https://saraskorganteigen.com/Sleeping-State-of-Being</link>

		<pubDate>Mon, 17 Sep 2018 06:19:32 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

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		<description>Sleeping State of Being&#38;nbsp;
Creatures of Night and Day
Journal, 2022
1st edition, 750Why do we act the way we do?How does consciousness work? Does it exist a pattern and possible involution in us, like there exist a lawfull evolution in nature? Why so much suffering? Are our compassion as fellow human, weakened by a sleep-like state? Do we have any controll at all?

Order the book here.
&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/7bb6ca80a28d878403d950227e0a5f71806a4b56f42a4c047709aaa5b4d384de/ssob-pr-khio-5.jpg" data-mid="146552020" border="0"  src="https://freight.cargo.site/w/1000/i/7bb6ca80a28d878403d950227e0a5f71806a4b56f42a4c047709aaa5b4d384de/ssob-pr-khio-5.jpg" /&#62;
 


The sketchbook as a medium is never concluding or insisting on any final answer, but is an investigating medium in itself. I use my sketchbook to learn, asking and trying to answer those questions that never can or will have any final answers.&#38;nbsp;This is a sneakpeak on my coming book, Sleeping State of Being, which is book number two in my series of reproduced sketchbooks, following my first published book Fractal State of Being (Journal 2014). The book will be reproduces and published in the same small edition as last book on 750 copies.



















In this book I look closer at different levels of consciousness. I am in particular looking at the term sleep. From ordinary sleep with dreams, to old mystical ideas that tells us that the human, also while awake, is in a form of sleep-like state. That this explains why we act the way we do. 
Trough my own experience I ask if dreams, mythological creatures and collective underconsciousness, possibly have any connection. Because why do a person(me) in 2020 dream about heavy symbols from the past, and unfamiliar creatures which I only later, find all over the mythologic stories? And why are the creatures in mythology and archetypes the same in stories from all over the world?












Does it exist a collective underconsciousness? And does that have any connection with the fact that archetypes and the mythological creatures often are the same from all parts of the world? Are these creatures and symbols timeless, or simply part of our psychology?
The project is kindly supported by Fritt Ord.&#38;nbsp;







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	<item>
		<title>Objects for Sleep</title>
				
		<link>https://saraskorganteigen.com/Objects-for-Sleep</link>

		<pubDate>Sun, 05 Mar 2023 07:42:59 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

		<guid isPermaLink="true">https://saraskorganteigen.com/Objects-for-Sleep</guid>

		<description>OBJECTS FOR SLEEP&#38;nbsp;&#38;amp; SPECIAL EDITION of Sleeping State of Being (Journal 2022)



 OBJECTS FOR SLEEP is textile objects  we use to sleep when we are on a journey, and were made as bookends to present the special edition of Teigens book Sleeping State of Being (Journal, 2022).&#38;nbsp;
THE SPECIAL EDITION is made on top of 10  copies of the published books. They are a handmade continuation of how she made the original sketchbook. The special edition also are the only books with elastic. (images coming soon)
New and handmade drawings, collages, embroidery throughout the pages, and unique photographic material like textile print (handmade by artist), photogram,&#38;nbsp; polaroid,&#38;nbsp; contactsheets and more.


Contact for interest in purchasing special edition.
Images from The Vigeland Museum, Oslo, Norway, 2022.&#38;nbsp;Some of the photographs are made by Paulina Tamara Cid.&#38;nbsp;
</description>
		
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	<item>
		<title>Sharing Tent</title>
				
		<link>https://saraskorganteigen.com/Sharing-Tent</link>

		<pubDate>Mon, 15 Jan 2018 12:27:16 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

		<guid isPermaLink="true">https://saraskorganteigen.com/Sharing-Tent</guid>

		<description>Sharing Tent
	If Sorrow was a place or a
room / Where would it be / What would it look like / 


How would it feel to be
inside it / Which qualities would it have / 


What experiences would
hide there / Would someone inhabit that space?




 
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&#60;img width="3043" height="4054" width_o="3043" height_o="4054" data-src="https://freight.cargo.site/t/original/i/f9436fb3921ef8779aa02f11234976e17204fd7af09b38b8575ac5da83c8f495/SharingTent_PR-10.jpg" data-mid="88195413" border="0"  src="https://freight.cargo.site/w/1000/i/f9436fb3921ef8779aa02f11234976e17204fd7af09b38b8575ac5da83c8f495/SharingTent_PR-10.jpg" /&#62;
&#60;img width="1793" height="2460" width_o="1793" height_o="2460" data-src="https://freight.cargo.site/t/original/i/ec448d6e14bc85bebd0cbcb14acf7fa07c6a114f166d607e1702b80a5687bbf5/SharingTent_PR-11.jpg" data-mid="88195415" border="0"  src="https://freight.cargo.site/w/1000/i/ec448d6e14bc85bebd0cbcb14acf7fa07c6a114f166d607e1702b80a5687bbf5/SharingTent_PR-11.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/9d9fe9ede277e0e45797f9af2fd88d1825461637cad3e178e0f8c1ee3e9c6e19/SharingTent_PR-13.jpg" data-mid="88195416" border="0"  src="https://freight.cargo.site/w/1000/i/9d9fe9ede277e0e45797f9af2fd88d1825461637cad3e178e0f8c1ee3e9c6e19/SharingTent_PR-13.jpg" /&#62;
2020.
Inner tent of four persons tent, 135 x 230 x 210cm. Embroidery, photoprint on
clothes, wool socks and stones. Video, color, sound, 8min. 35sec. Video
credit: Stian Tjernsmo.




Sharing Tent started as a
reaction to the loss of my father. I couldn’t find the place for this
overwhelming emotion in myself, and needed a place to put my body and give
myself time to mourn. 
A solution became putting up a tent in my living room. As a manifestation of the room for sorrow in myself. I slept
inside the tent, and carried it around with me. The experience of sorrow was
nothing like what the world had told me to expect. I experienced it as being
filled with questions, good questions, about what the experience of life is.
Sorrow is a large spectrum, but more than anything I experience this new
room in me as a state of curiosity. Sharing Tent is a project exploring
mourning. 

Embroidery takes time, and
became a bridge into the tent, daring to spend time there, sitting still,
digesting the loss. I transferred images of my father and certain
whitepainted characters, on to his clothes and sewed them into the tent. The topics these archetypes and
characters represent, are also those me and my father typically talked
about, a lifelong conversation, which continued in the tent.&#38;nbsp;



Shintoists (biggest branch of Buddhism) believe we
are to continue a conversation with our dead ancestors. For this we need a
shrine. This can be anything, a building, a mountain, a stone in your pocket,
or a tent. 



I got curious about how other women who had lost
their fathers experienced mourning. I invited strangers and friends to share my tent. The women decided in which way they wanted to communicate and share -
without words. In this way, Sharing Tent has developed to be a collaborative project, and a very dear one. Our sharing rituals begin by painting each other white. Butoh dancers do this
to neutralize or empty themselves from what they know, to make space for
something new to come in through the present moment as it is. 



 
The void of death is
invisible and nevertheless takes up space within us. It is the very absence of
the person that becomes so present. Cutting out the silhouettes of our fathers
became a symbol of them being absently present. The edge of the silhouette
confirms that they have been here physically, and the invisible void that they
are no longer. It was from this edge between invisible and present, that some
of these good questions arose in me. In the void of the silhouette there is no physical
information, but invisible content in the shape of an affirmation and
confrontation of life and death. Our collective experience with absence.


With:
Kyuja Bae, artist and dancer, MA in Choreography
from Oslo National Academy of the Arts, and I met for the first time in silence
outside the tent where we shared experiences through movements. 
PhD Research fellow Helena Schmidt and I grew up
together. We shared our experiences through making songs together in the
tent. 




Tanja Schûtt Dideriksen, psychological nurse, is a
close friend. We made embroidery and wrote difficult words onto white fabric and
washed them in the river.















</description>
		
	</item>
		
		
	<item>
		<title>The Fool (the artistbook)</title>
				
		<link>https://saraskorganteigen.com/The-Fool-the-artistbook</link>

		<pubDate>Sun, 29 Mar 2020 06:52:12 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

		<guid isPermaLink="true">https://saraskorganteigen.com/The-Fool-the-artistbook</guid>

		<description>The Fool 
The Fool
The artistbookWhat happens when you loose acces to your memories? 
Where do they go and how does it feel to navigate in a world 
you no longer recognize or understand&#38;nbsp;
the social 
and moral rules to anymore?



&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/33ec17c438f4959d0686624de590fd2ffcbf7ecbeff5259c1ff171d7f662206b/4_02_The-Fool.jpg" data-mid="125707434" border="0"  src="https://freight.cargo.site/w/1000/i/33ec17c438f4959d0686624de590fd2ffcbf7ecbeff5259c1ff171d7f662206b/4_02_The-Fool.jpg" /&#62;
&#60;img width="4006" height="6009" width_o="4006" height_o="6009" data-src="https://freight.cargo.site/t/original/i/f8488463bcec30f68c955794753e5e1dd826095289b33f6b6cad3d027cc9ef23/4_01_The-Fool.jpg" data-mid="125707433" border="0"  src="https://freight.cargo.site/w/1000/i/f8488463bcec30f68c955794753e5e1dd826095289b33f6b6cad3d027cc9ef23/4_01_The-Fool.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/8e120e644e88e553ffd5cbcabe7c96aadaef16503e72ab0099a291bc07a7b16c/4_05_The-Fool.jpg" data-mid="125707437" border="0"  src="https://freight.cargo.site/w/1000/i/8e120e644e88e553ffd5cbcabe7c96aadaef16503e72ab0099a291bc07a7b16c/4_05_The-Fool.jpg" /&#62;
&#60;img width="2500" height="1622" width_o="2500" height_o="1622" data-src="https://freight.cargo.site/t/original/i/49661742da2d77e50251c67bc6b539940233f1ff5bb36dfa5ac69ff72b0d9496/The-Fool-bok-til-web-19.jpg" data-mid="88302730" border="0"  src="https://freight.cargo.site/w/1000/i/49661742da2d77e50251c67bc6b539940233f1ff5bb36dfa5ac69ff72b0d9496/The-Fool-bok-til-web-19.jpg" /&#62;
&#60;img width="2500" height="1622" width_o="2500" height_o="1622" data-src="https://freight.cargo.site/t/original/i/b11f4b972195b50f24c7e3bb28e54791cf35050e1951aaad39463498d173ecfe/The-Fool-bok-til-web-6.jpg" data-mid="88302717" border="0"  src="https://freight.cargo.site/w/1000/i/b11f4b972195b50f24c7e3bb28e54791cf35050e1951aaad39463498d173ecfe/The-Fool-bok-til-web-6.jpg" /&#62;
&#60;img width="2500" height="1622" width_o="2500" height_o="1622" data-src="https://freight.cargo.site/t/original/i/74e73c29b39ba94c3e4683dcb40e873f03278129ee4cc0f47f472c998fcd1629/The-Fool-bok-til-web-24.jpg" data-mid="88302735" border="0"  src="https://freight.cargo.site/w/1000/i/74e73c29b39ba94c3e4683dcb40e873f03278129ee4cc0f47f472c998fcd1629/The-Fool-bok-til-web-24.jpg" /&#62;
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&#60;img width="2500" height="1622" width_o="2500" height_o="1622" data-src="https://freight.cargo.site/t/original/i/2ea090e32d889f592267b39977a31a548ca7185b6372ea0ac537c2c36f309eba/The-Fool-bok-til-web-13.jpg" data-mid="88302724" border="0"  src="https://freight.cargo.site/w/1000/i/2ea090e32d889f592267b39977a31a548ca7185b6372ea0ac537c2c36f309eba/The-Fool-bok-til-web-13.jpg" /&#62;
&#60;img width="4081" height="4961" width_o="4081" height_o="4961" data-src="https://freight.cargo.site/t/original/i/d0e7722f33084bb0a5b42f5d75a20d7af55e3c547f3d6ee9d08d1649ea4af23b/0_The-Fool.jpg" data-mid="146564054" border="0"  src="https://freight.cargo.site/w/1000/i/d0e7722f33084bb0a5b42f5d75a20d7af55e3c547f3d6ee9d08d1649ea4af23b/0_The-Fool.jpg" /&#62;


I have used the artistbook as medium to investigate memoryloss from trauma. 
The body has its own memory, so when the cognitive memory fails us, there will still exist physical traces within the body. I have tried to find these traces by exploring memoryloss as a visual concept.
I have used different mediums and materials&#38;nbsp;and invented various exercises to get in contact to memories. Key mediums were mindmaps, collage, blind emboss etching, and gestalt chairs. Along side a study on classic traumaintegration and the whitepainted characters. &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>How to Carry Hyperobjects (in process)</title>
				
		<link>https://saraskorganteigen.com/How-to-Carry-Hyperobjects-in-process</link>

		<pubDate>Tue, 11 Apr 2023 11:21:14 +0000</pubDate>

		<dc:creator>saraskorganteigen</dc:creator>

		<guid isPermaLink="true">https://saraskorganteigen.com/How-to-Carry-Hyperobjects-in-process</guid>

		<description>How to Carry Hyperobjects
A Poem is a Portal


(Work in process)

Black Hole Rug.&#38;nbsp; 2022.Tufted black hole rug, wool and carpet glue. Size measured after my body (The vitruvian man). 
A Poem is a Portal. 2022. Stream of conscious writing on typewriter. Video of exhibition How to Carry Hyperobjects. 2022. Gallery Seilduken, 2022. Video filmed by Paulina Tamara Cid.&#38;nbsp;
Humor is a healer, laughter is a needed cramp.
How to Carry Hyperobjects. The Fools version. 2022.&#38;nbsp;
Filmed by Paulina Tamara Cid.


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